By Diana J Heath
An effective screenplay is the product of good planning and design. Although there are many ways to approach screenwriting, I believe that if you want to produce a dynamic screenplay that will win the attention of your audience, then a Screenplay Design Plan will help. Just like an architect draws up his plan before attempting to build a house, a screenwriter need to draw up a plan or blueprint before a film is made.
A Screenplay Design Plan will allow you to achieve the following:
1. Explore the overall premise /controlling idea or the MDQ (the Major Dramatic Question).
The MDQ is the question that is raised at the beginning of the film and is answered in some fashion at the conclusion of the film. The MDQ extends from our hero's journey, and is subject to his moral choices, his battle with his inner demons, as well as his battle with the antagonist/villain.
Here is a rough example of an MDQ. "When a young Hobbit is given the mammoth task of taking a magical ring to a land that is ruled by a dark Lord, will he fulfill his destiny and destroy the ring in the fiery volcano?" I think you get the idea here.
2. Plan, select and organize the arrangement of the Key Structural Points in the screenplay from beginning to end.
These Key Structural Points contain scenes where the hero is faced with some sort of challenge like a character conflict or a stumbling block during his journey. Each level of conflict can be caused by a person or by the hero's own inner frustrations or inadequacies. But regardless of whether these conflicts are small or great, they must always provide an opportunity for the hero to grow. Each scene in the Screenplay Design Plan must have some level of conflict leading up to The Finale.
Screen-writing Tip: Conflict is necessary for effective drama.
3. Design your screenplay like a puzzle the audience must solve.
The Opening Image establishes the mood, genre, story, and the hero of the film. From this Opening Image the structure of the film's plot will start to unfold. The design plan also helps the writer to decide when to withhold information from the audience and when it should be revealed. A little ambiguity is always good. Keeping your audience in suspense (while providing little gems of information now and then) ignites their imagination. and keeps them riveted to the screen until The Closing Image.
4. Provide an overall structure that allows you to craft individual scenes that build with intensity.
As you plan each scene within the Design Plan, you can decide when and where your levels of intensity (creating and building tension) will take place. Being able to create and build tension that captivates an audience is the key to a dramatic screenplay and an award-winning film.
Good structure also allows your audience to follow the hero's journey as it unfolds. An example of good structure is when the plot contains an ensemble of successes and failures right up until the story's climax and its final resolution.
Screenwriting Tip: When you are crafting your individual scenes think of how you will engage the emotions of your audience. Strong action + strong emotion = a rewarding filmic experience.
5. Organize character relationships and answer the MDQ.
A design plan helps you to decide on how the hero's primary and secondary relationships will intersect and play out. Once these relationships are sorted, the MDQ can be answered. The Major Dramatic Question is worked out primarily by the hero, but it is also the villain and the other secondary characters that provide the action and the conflict that is necessary for the hero to answer this question.
As well as the MDQ there are other important questions:
Will the hero accept his quest?
How will the villain react to the hero when the quest is accepted?
How will the villain stop the hero from fulfilling his quest?
Who will be the hero's helper/s?
How will the hero react when Dark Forces Close In, and will he survive The Dark Night of the Soul?
The Screenplay Design Plan will help you to answer these questions before writing the actual screenplay.
Of course the hero will take many actions during the course of the film, and the antagonist will provide many reactions, but there is one overriding action that provides unity. The many actions and reactions (big or small) that take place during a film should always point back to the arch-arching MDQ, the one major dramatic question that the hero is trying to answer or the driving action that motivates him and determines everything that happens in the film.
6. Finish your screenplay with a dynamic action and image.
When we think of the MDQ and the hero's driving action - remember Frodo in the Lord of the Rings. Frodo's most important and dynamic action was arriving at Mount Doom to finally destroy the ring. There were many events and great actions that took place during this film, but it was this one final action that would determine the fate of Middle-earth.
Of course, Gollum had an important role to play in the all important and compelling scene of The Return of the King. I find this scene (when Frodo arrives to destroy the ring in the fires of Mount Doom) very interesting as it kept us in suspense. It seemed that maybe our hero was not going to destroy the ring after all. If he did not complete his mission who would answer the MDQ? Someone has to! But with a little twist we still got our happy ever after and our answer.
Although the film had not finished, this scene where the ring is destroyed is one of the most dynamic scenes in the movie. Frodo had peaked in his character arc, and Sauron's ring had finally been destroyed. The screenwriter had created a dramatic and pivotal scene and image, which will continue to linger as one of those iconic moments in film history.
So how you organize your scenes, explore the MDQ, determine the levels of intensity, character actions and reactions, and the screenplay's final image, will all depend on your Screenplay Design Plan.
You can access a Screenplay Design Plan template, and discover more writing tips about all aspects of creative writing at my website. [http://new.creativedestination.com.au/]
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Of the 22 unproduced screenplay shorts and 5 features, Rat's Bite was the first screenplay written, now around a 20 page short
Rat's Bite made its first shorts script competition debut at the American Gems Short Screenplay Competition, then originally 13 pages long and drove to the Quarter Finals of that contest.
Rat's Bite was rewritten several times since then and was entered in Anything But Hollywood Short Screenplay Competition where it rose to the Semi Finals.
After major rewrites, Rat's Bite was renamed and registered as Storm Shadows then entered in the Writer's Place under short screenplay/teleplay competition, there it reached the finals
Rat's Bite still exist under its original title now separated from its longer offshoot, Storm Shadows.
The future goal of the Rat's Bite-Storm Shadows scripts is to create another longer version, a full featured screenplay which has already begun.
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Miss Blacky is the black cat in some of these stories. See her Pictures and videos. Watch a short video taken at the shore in Atlantic City.
Lawrence Anthony Jaggard is a Screenwriter, Photographer, and Website Designer. He has written 27 screenplays, 5 features ranging from 101 to..